Please
welcome David Ebsworth!
Anyway,
over to you, David.
Where did the idea come
from for the book?
I was researching a novel about the International Brigades in the Spanish Civil War and came across a paper on the Battlefield Tours that Franco launched – mainly for British tourists – before the war was even finished. It was too good a story to ignore.
I was researching a novel about the International Brigades in the Spanish Civil War and came across a paper on the Battlefield Tours that Franco launched – mainly for British tourists – before the war was even finished. It was too good a story to ignore.
What genre does your book
fall under?
Historical thriller with a generous amount Agatha Christie and a splash of Rick Stein, seasoned with a pinch of the picaresque.
Historical thriller with a generous amount Agatha Christie and a splash of Rick Stein, seasoned with a pinch of the picaresque.
Which actors would you
choose to play your characters in a movie rendition?
I always picture actors in my main character roles anyway so, in this case, Christopher Eccleston as Jack Telford and Rachel Weisz as Valerie Carter-Holt.What is the one-sentence synopsis of your book?
I always picture actors in my main character roles anyway so, in this case, Christopher Eccleston as Jack Telford and Rachel Weisz as Valerie Carter-Holt.What is the one-sentence synopsis of your book?
A Christie-esque thriller set on a battlefield
tour bus towards the end of the Spanish Civil War.
Is your book
self-published or represented by an agency?
I spent a long time looking for agents and "traditional publishers" when I wrote Jacobites. A lot of people that I respect were very supportive about it but the agents I contacted were either too rude to even acknowledge me, or told me it wouldn't fit their lists, or liked it but weren't taking on any more new authors. Also, in meeting many other wordsmiths, I realised that there's a huge mythology about "traditional publishers". It's generally thought that, first, they pay their authors a generous advance; second, that they get your work automatically onto bookstore shelves; and, third, that they do all the marketing for you. It's a load of nonsense for all but a tiny minority. So, being passionate about my writing, and having market-tested a bit, I decided to go "independent", publishing with the help of SilverWood Books (www.silverwoodbooks.co.uk) and using their high quality professional backing (registrations, typesetting, design, proofing, etc.) but using my own editor (the inimitable Jo Field) and jacket cover graphic designer (the indefatigable and innovative Cathy Helms). I’ve found it a fantastic way for a new writer to get published and I love the buzz of doing my own marketing.
I spent a long time looking for agents and "traditional publishers" when I wrote Jacobites. A lot of people that I respect were very supportive about it but the agents I contacted were either too rude to even acknowledge me, or told me it wouldn't fit their lists, or liked it but weren't taking on any more new authors. Also, in meeting many other wordsmiths, I realised that there's a huge mythology about "traditional publishers". It's generally thought that, first, they pay their authors a generous advance; second, that they get your work automatically onto bookstore shelves; and, third, that they do all the marketing for you. It's a load of nonsense for all but a tiny minority. So, being passionate about my writing, and having market-tested a bit, I decided to go "independent", publishing with the help of SilverWood Books (www.silverwoodbooks.co.uk) and using their high quality professional backing (registrations, typesetting, design, proofing, etc.) but using my own editor (the inimitable Jo Field) and jacket cover graphic designer (the indefatigable and innovative Cathy Helms). I’ve found it a fantastic way for a new writer to get published and I love the buzz of doing my own marketing.
How long did it take you to
write the first draft of your manuscript?
I started to write in February 2011 and finished the first draft (180,000 words) in October that year – then travelled with it through all its locations in Northern Spain to check the “feel” and complete the first re-write (168,000 words). The final version is 152,000 words.
What other books would you compare this story to within your genre?
C J Sansom’s Winter in Madrid; Dave Boling’s Guernica; Rebecca Pawel’s Death of a Nationalist; Ernest Hemingway’s For Whom the Bell Tolls.
Who or What inspired you to write this book?
Long list, I’m afraid. Old comrades like Jack Jones and Frank Deagan from whom I first learned about the “real” experience of the Spanish Civil War. Spanish family friends who lived through the war and Franco’s repression that followed it. Wonderful historians like Antony Beevor and Paul Preston who’ve never lost sight of the Spanish Civil War’s significance for all of us. Professor Sandie HolguĂn who introduced me to the bus tours that feature centrally in the story.
I started to write in February 2011 and finished the first draft (180,000 words) in October that year – then travelled with it through all its locations in Northern Spain to check the “feel” and complete the first re-write (168,000 words). The final version is 152,000 words.
What other books would you compare this story to within your genre?
C J Sansom’s Winter in Madrid; Dave Boling’s Guernica; Rebecca Pawel’s Death of a Nationalist; Ernest Hemingway’s For Whom the Bell Tolls.
Who or What inspired you to write this book?
Long list, I’m afraid. Old comrades like Jack Jones and Frank Deagan from whom I first learned about the “real” experience of the Spanish Civil War. Spanish family friends who lived through the war and Franco’s repression that followed it. Wonderful historians like Antony Beevor and Paul Preston who’ve never lost sight of the Spanish Civil War’s significance for all of us. Professor Sandie HolguĂn who introduced me to the bus tours that feature centrally in the story.
What else about your book
might pique the reader's interest?
The Spanish Civil War is badly neglected by English-language fiction writers so, at one level, I wanted the novel to be informative as well as entertaining. I’d like it to be a “must” for all those who already have an affection for Spain and maybe want to learn a bit more about the country’s history and culture – while still being able to sit on a beach with a good pot-boiler and need to keep “turning the pages.”
The Spanish Civil War is badly neglected by English-language fiction writers so, at one level, I wanted the novel to be informative as well as entertaining. I’d like it to be a “must” for all those who already have an affection for Spain and maybe want to learn a bit more about the country’s history and culture – while still being able to sit on a beach with a good pot-boiler and need to keep “turning the pages.”
For more about David's previous novel, The Jacobites’ Apprentice, and other relevant information, you can visit his main website... www.davidebsworth.com
To Read my review of The Jacobites' Apprentice click here
Good luck Dave!